Samuel Beckett's Waiting for Godot is a tragicomedy about human existence. In the play, two tramps wait by a tree for a Mister Godot. While there, they go through a series of comedic episodes involving boots that are too tight, carrots, and other unimportant objects. While they are waiting, another pair of characters, Lucky and Pozzo, come along. Lucky is essentially a human animal, walking on all fours, whom Pozzo has on a leash and makes carry all of his things. Pozzo is an almost unfeeling taskmaster who takes pride and pleasure in torturing and abusing his slave. The two tramps don't quite know what to make of this pair, as they come along and provide some "entertainment," as Pozzo makes lucky dance, and then "think" for them. The scenes bring an unmistakeable sense of nonsense and futility. The day ends as Lucky and Pozzo head off, and no Mister Godot appears.
Day two starts rather like the first, with the two tramps, Vladimir and Estragon, waiting under the same tree. They're not sure they were there the day before, but Vladimir at least has a sense that yesterday was much the same. The only change he notices is a few leaves on the tree. As they wait, the repeat many of the same comedic routines as they day before. Then Lucky and Pozzo happen by again. Though this time Pozzo claims to be blind. Again, no one is quite sure if they've met before, though Vladimir is rather certain that they had come by the day before. After more confused exchanges, Posso and Lucky finally head off stage again. And the two tramps are left to contemplate their future. They know they are waiting for Godot, but aren't quite sure why. Then a boy arrives to inform them that Mr. Godot would not be coming, but would surely come tomorrow. Despairing of the news, the two contemplate hanging them selves from the tree, but realize they don't have any rope that would work. So the play closes with them resolving to return to the tree tomorrow, and to bring along some good rope.
Beckett's play is really a fascinating and poignant statement of the seeming futitilly of life. The characters are set in an almost featureless world, and they are seemingly with out purpose, waiting, but they're not sure quite what they are waiting for. Pozzo and Lucky demonstrate exploitation and victimization, a sad state of affairs. And Vladimir and Estragon don't come across much better, lost and senseless, aimlessly making their way through life. Their conclusion is that life is really just the moment between birth and death, and paint a picture of a woman squatting over a grave to give birth. It is a picture of hopelessness and purposeless ness.
The play seems to leave a bit of room for hope, that this Mister Godot (God?) would come and put the pieces together for them. But we are far from certain, when the curtain falls, whether Godot will arrive or whether they will hang themselves, or whether the next days will continue like the last.
Beckett has captured well the tragic and comedic elements of modern life, with the searching after purpose, the waiting without a clear sense of what for, the futility of seeing life as merely a flash in the pan before death.
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